<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>In the midst of the gloom-and-doom naysayers and pundits, there’s a thriving community of publishers, editors, marketers, agents, booksellers, librarians, authors, and readers of all kinds who are passionate about the book, in all its forms, and are working within the industry to help change it for the better.

That’s the description of a DBW Member.</description><title>Publishing Optimism</title><generator>Tumblr (3.0; @publishingoptimism)</generator><link>http://publishingoptimism.tumblr.com/</link><item><title>There’s such a lively debate out there in the blogosphere around...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lbzykokkUd1qdxrp5o1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;There’s such a lively debate out there in the blogosphere around books and ideas and so on and so forth, and that kind of world is exploding. And there’s lots of experiments and innovation and so on, you know, like the Open Road Integrated Media and companies where people are experimenting with new models and new ideas and so on.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.brooklynrail.org/2010/11/express/is-publishing-doomed-john-b-thompson-with-williams-cole" target="_blank"&gt;Is Publishing Doomed? JOHN B. THOMPSON with Williams Cole - The Brooklyn Rail&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1593893730</link><guid>http://publishingoptimism.tumblr.com/post/1593893730</guid><pubDate>Tue, 16 Nov 2010 16:33:59 -0500</pubDate><category>publishing</category><category>dbw</category></item><item><title>Tweet of the Week J. W. Eagan on Hollywood adaptations, via Word...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lbzyf1jQBO1qdxrp5o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tweet of the Week J. W. Eagan on Hollywood adaptations, via Word and Film&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.digitalbookworld.com/2010/dbw-weekly-roundup-111210/" target="_blank"&gt;DBW Weekly Roundup: 11/12/10 | Digital Book World&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1593864930</link><guid>http://publishingoptimism.tumblr.com/post/1593864930</guid><pubDate>Tue, 16 Nov 2010 16:30:37 -0500</pubDate><category>dbw</category><category>tweetoftheweek</category><category>books</category></item><item><title>Libraries’ Silver Lining (Roundtable: 11/11/10)</title><description>&lt;a href="http://feedproxy.google.com/~r/DBWRoundtable/~3/OeS98PywDZs/"&gt;Libraries’ Silver Lining (Roundtable: 11/11/10)&lt;/a&gt;: &lt;p&gt;&lt;a href="http://../events/roundtable/" target="_blank"&gt;&lt;img class="alignright" style="border: 0pt none; margin: 5px;" title="Roundtable" src="http://digitalbookworld.com/wp-content/uploads/2010/01/Roundtable.jpg" alt="#DBW Roundtable" width="250" height="84"/&gt;The Roundtable&lt;/a&gt; is a live, interactive webcast gathering some of the most outspoken industry professionals to debate the hottest publishing issues of the week, as being discussed in…&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1547503981</link><guid>http://publishingoptimism.tumblr.com/post/1547503981</guid><pubDate>Thu, 11 Nov 2010 19:22:51 -0500</pubDate></item><item><title>Tweet of the Week Erik Christopher on cost/value of ebooks.
(via...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lbfg77TcT81qdxrp5o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tweet of the Week Erik Christopher on cost/value of ebooks.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.digitalbookworld.com/2010/dbw-weekly-roundup-11510/" target="_blank"&gt;DBW Weekly Roundup: 11/5/10 | Digital Book World&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1489701214</link><guid>http://publishingoptimism.tumblr.com/post/1489701214</guid><pubDate>Fri, 05 Nov 2010 15:45:59 -0400</pubDate><category>dbw</category><category>tweetoftheweek</category><category>ebooks</category></item><item><title>It’s definitely a thought-provoking list, and proves that...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lbfg3dExmH1qdxrp5o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;It’s definitely a thought-provoking list, and proves that genre fiction is still producing plenty of books with literary pedigree.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://io9.com/5681900/the-10-best-sffantasy-books-of-the-year-according-to-amazoncom" target="_blank"&gt;The 10 best SF/fantasy books of the year, according to Amazon.com&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1489690669</link><guid>http://publishingoptimism.tumblr.com/post/1489690669</guid><pubDate>Fri, 05 Nov 2010 15:44:20 -0400</pubDate><category>dbw</category><category>books</category></item><item><title>The truth is that there will not be as much money in the selling...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lbffyoUU9y1qdxrp5o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;The truth is that there will not be as much money in the selling of content as there has been. That’s a result of content ubiquity. The lie is that most publishers have to go bust. There are a myriad of potential revenue streams when communities are the source of monetisation.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://idioplatform.com/2010/10/the-future-of-publishing-like-minds/" target="_blank"&gt;The Future of Publishing: Like Minds&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1489671583</link><guid>http://publishingoptimism.tumblr.com/post/1489671583</guid><pubDate>Fri, 05 Nov 2010 15:41:25 -0400</pubDate><category>dbw</category><category>publishing</category></item><item><title>For me, the real job of a publisher is many, many things, all of...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lbffvdZInK1qdxrp5o1_500.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;For me, the real job of a publisher is many, many things, all of which center around the incredibly rewarding challenge of connecting authors and readers. In the end, whether physical or digital, the role of the publisher is to create an audience for the author. It’s to bring the author and the book to market. It’s never really been about printing. And that’s really clear now, isn’t it? It’s always been about connecting authors and readers.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.sourcebooks.com/independentvision/on-ebooks-a-publishers-view-of-the-digital-transformation.html" target="_blank"&gt;On ebooks: A Publisher’s View of the Digital Transformation&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1489654947</link><guid>http://publishingoptimism.tumblr.com/post/1489654947</guid><pubDate>Fri, 05 Nov 2010 15:38:55 -0400</pubDate><category>dbw</category><category>publishing</category></item><item><title>“Tail. Long Tail.” (Roundtable: 11/4/10)</title><description>&lt;a href="http://feedproxy.google.com/~r/DBWRoundtable/~3/kwKahm8NjYQ/"&gt;“Tail. Long Tail.” (Roundtable: 11/4/10)&lt;/a&gt;: &lt;p&gt;&lt;a href="http://../events/roundtable/" target="_blank"&gt;&lt;img class="alignright" style="border: 0pt none; margin: 5px;" title="Roundtable" src="http://digitalbookworld.com/wp-content/uploads/2010/01/Roundtable.jpg" alt="#DBW Roundtable" width="250" height="84"/&gt;The Roundtable&lt;/a&gt; is a live, interactive webcast gathering some of the most outspoken industry professionals to debate the hottest publishing issues of the week, as being discussed in…&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1486710074</link><guid>http://publishingoptimism.tumblr.com/post/1486710074</guid><pubDate>Fri, 05 Nov 2010 05:12:59 -0400</pubDate></item><item><title>Tweet of the Week: Samantha Francis on digital opportunities for...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lb21pqlSRV1qdxrp5o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tweet of the Week: Samantha Francis on digital opportunities for literary authors.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.digitalbookworld.com/2010/dbw-weekly-roundup-102910/" target="_blank"&gt;DBW Weekly Roundup: 10/29/10 | Digital Book World&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1431741200</link><guid>http://publishingoptimism.tumblr.com/post/1431741200</guid><pubDate>Fri, 29 Oct 2010 10:05:32 -0400</pubDate><category>tweetoftheweek</category><category>dbw</category></item><item><title>Jessica Faust, the eminent book biz blogger and CEO of BookEnds...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lb21lu4Fka1qdxrp5o1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Jessica Faust, the eminent book biz blogger and CEO of BookEnds Literary Agency says unequivocally that “The reason mysteries sell better than romances or science fiction is they cross gender. That is, women will read tough action books with outlaw heroes, and men will read cozies for the warm relationships and sense of community.”&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.alanrinzler.com/blog/2010/10/27/mystery-and-crime-fiction-is-bloody-booming/" target="_blank"&gt;Mystery and crime fiction is bloody booming&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1431724900</link><guid>http://publishingoptimism.tumblr.com/post/1431724900</guid><pubDate>Fri, 29 Oct 2010 10:02:24 -0400</pubDate><category>dbw</category><category>publishing</category></item><item><title>glecharles:

Am I exceptionally gifted in all of these media? Of...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lb0biyP4f31qas67zo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://glecharles.tumblr.com/post/1424125158/am-i-exceptionally-gifted-in-all-of-these-media" target="_blank"&gt;glecharles&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Am I exceptionally gifted in all of these media? Of course not. But I’m clever, creative and curious enough to know it’s in the best interest of my career to bust beyond any self-inflicted Perception Prison and just be a “writer” or “novelist.” I’m a multifaceted Storyteller. If I can’t stellarly execute a particular multimedia storytelling element, I’ll ask around until I find someone who can help realize me. That’s what the Internet is for.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://writerunboxed.com/2010/10/28/become-a-better-and-future-friendly-storyteller-embrace-other-media/" target="_blank"&gt;Writer Unboxed » Blog Archive » Become A Better (And Future-Friendly) Storyteller: Embrace Other Media&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;THIS!!!!!&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://publishingoptimism.tumblr.com/post/1431713771</link><guid>http://publishingoptimism.tumblr.com/post/1431713771</guid><pubDate>Fri, 29 Oct 2010 10:00:23 -0400</pubDate><category>dbw</category><category>storytelling</category></item><item><title>Those who claim the novel’s time has passed ignore its value....</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lauptvEcjj1qdxrp5o1_r1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Those who claim the novel’s time has passed ignore its value. Nothing  captures the quality of consciousness like fiction. Only a great novel  can make you truly feel what it is like to be someone else, alive in a  different place and time. Literature exercises our empathy, salves our  loneliness, and helps us learn how to live. Without Flaubert, Balzac,  Dostoyevski, and Joyce, our understanding of human psychology would be  greatly impoverished. &lt;br/&gt;&lt;br/&gt; What doesn’t really matter, though, is how people choose to read.  Literature is important; the choice of paper or plastic is not.&lt;/p&gt;
&lt;p&gt;(via &lt;em&gt;Publishers Weekly&lt;/em&gt;: &lt;a href="http://www.publishersweekly.com/pw/by%2Dtopic/digital/content%2Dand%2De%2Dbooks/article/44924%2Dliterature%2Dplugged%2Din.html?page=1" target="_blank"&gt;Literature, Plugged In&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1398645798</link><guid>http://publishingoptimism.tumblr.com/post/1398645798</guid><pubDate>Mon, 25 Oct 2010 11:04:51 -0400</pubDate><category>dbw</category><category>publishing</category></item><item><title>Tweet of the Week: Rana June Sobhany on enhanced ebooks and...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lap3dthTBv1qdxrp5o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tweet of the Week: Rana June Sobhany on enhanced ebooks and devaluing content.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.digitalbookworld.com/2010/dbw-weekly-roundup-102210/" target="_blank"&gt;DBW Weekly Roundup: 10/22/10 | Digital Book World&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1373518881</link><guid>http://publishingoptimism.tumblr.com/post/1373518881</guid><pubDate>Fri, 22 Oct 2010 10:12:30 -0400</pubDate><category>tweetoftheweek</category><category>dbw</category><category>e2bu</category></item><item><title>“And as I’ve said stubbornly for a couple of years,...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lap1jqJ2gt1qdxrp5o1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“And as I’ve said stubbornly for a couple of years, I believe that soon it will matter again what one publishes more than how one publishes it. Quality will out.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;—Fred Ramey, co-publisher of Unbridled Books&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;(via &lt;em&gt;Shelf Awareness&lt;/em&gt;: &lt;a href="http://news.shelf-awareness.com/ar/theshelf/2010-10-22/robert_gray_hearing_voices_about_indie_publishing.html" target="_blank"&gt;Robert Gray: Hearing Voices About Indie Publishing&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1373392545</link><guid>http://publishingoptimism.tumblr.com/post/1373392545</guid><pubDate>Fri, 22 Oct 2010 09:31:02 -0400</pubDate><category>dbw</category><category>publishing</category></item><item><title>UNDERGROUND » Pictures help us learn.</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lap1btUbED1qdxrp5o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.undergroundthecomic.com/2010/10/pictures-help-us-learn/" target="_blank"&gt;UNDERGROUND » Pictures help us learn.&lt;/a&gt;&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1373381174</link><guid>http://publishingoptimism.tumblr.com/post/1373381174</guid><pubDate>Fri, 22 Oct 2010 09:27:57 -0400</pubDate><category>dbw</category><category>piracy</category><category>marketing</category></item><item><title>
Like Haroun, we in publishing can sometimes become filled with...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lanpyhyzq61qdxrp5o1_400.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;Like Haroun, we in publishing can sometimes become filled with a sense of hopelessness and failure. But like Haroun, we have been taken in by the magic of the Ocean. And like Haroun, we’re perched atop a tapestry of breathtaking complexity.&lt;/p&gt;
&lt;p&gt;Undeniably, it is a time of remarkable opportunity in publishing, one in which we are able to find and build upon those strands of stories, in context.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;—Brian O’Leary, Founder and Principal, Magellan Media&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.magellanmediapartners.com/index.php/mmcp/article/context_first/" target="_blank"&gt;Context first&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1368160664</link><guid>http://publishingoptimism.tumblr.com/post/1368160664</guid><pubDate>Thu, 21 Oct 2010 16:27:47 -0400</pubDate><category>dbw</category><category>publishing</category></item><item><title>Tweet of the Week: @eBookNoir on publishers and transmedia
(via...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lac3kmrs8W1qdxrp5o1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tweet of the Week: @eBookNoir on publishers and transmedia&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.digitalbookworld.com/2010/dbw-weekly-roundup-101510/" target="_blank"&gt;DBW Weekly Roundup: 10/15/10 | Digital Book World&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1320259628</link><guid>http://publishingoptimism.tumblr.com/post/1320259628</guid><pubDate>Fri, 15 Oct 2010 09:46:54 -0400</pubDate><category>tweetoftheweek</category><category>dbw</category><category>transmedia</category></item><item><title>2. George Orwell’s publisher didn’t feel the title to Orwell’s...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lac3frc5BC1qdxrp5o1_250.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;2. George Orwell’s publisher didn’t feel the title to Orwell’s novel The Last Man in Europe was terribly commercial and recommended using the other title he had been kicking around—1984.&lt;/p&gt;
&lt;p&gt;5. Ernest Hemingway’s original title for The Sun Also Rises was used for foreign-language editions—Fiesta. He changed the American English version to The Sun Also Rises at the behest of his publisher.&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://www.mentalfloss.com/blogs/archives/70037" target="_blank"&gt;mental_floss Blog » What 10 Classic Books Were Almost Called&lt;/a&gt;)&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1320249828</link><guid>http://publishingoptimism.tumblr.com/post/1320249828</guid><pubDate>Fri, 15 Oct 2010 09:44:41 -0400</pubDate><category>books</category><category>dbw</category></item><item><title>deadwriters:

A lovely little poetry animation just in time for...</title><description>&lt;iframe width="400" height="320" src="http://www.youtube.com/embed/4p99rf63jCE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://deadwriters.tumblr.com/post/1306694182/a-lovely-little-poetry-animation-just-in-time-for" target="_blank"&gt;deadwriters&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A lovely little poetry animation just in time for Halloween! Edgar Allan Poe “reading” his classic &lt;em&gt;THE RAVEN&lt;/em&gt;!&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Poe claimed to have written the poem very logically and methodically.  His intention was to create a poem that would appeal to both critical  and popular tastes, as he explains in the follow-up essay: “The  Philosophy of Composition”. The poem was inspired in part by a talking  raven in the novel Barnaby Rudge: A Tale of the Riots of ‘Eighty by  Charles Dickens.[3] Poe borrows the complex rhythm and meter of  Elizabeth Barrett’s poem “Lady Geraldine’s Courtship”.&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://publishingoptimism.tumblr.com/post/1320216762</link><guid>http://publishingoptimism.tumblr.com/post/1320216762</guid><pubDate>Fri, 15 Oct 2010 09:37:22 -0400</pubDate><category>cool</category></item><item><title>Social Media Reality Check (Roundtable: 10/14/10)</title><description>&lt;a href="http://feedproxy.google.com/~r/DBWRoundtable/~3/g5Q2KYnjvKQ/"&gt;Social Media Reality Check (Roundtable: 10/14/10)&lt;/a&gt;: &lt;p&gt;&lt;a href="http://../events/roundtable/" target="_blank"&gt;&lt;img class="alignright" style="border: 0pt none; margin: 5px;" title="Roundtable" src="http://digitalbookworld.com/wp-content/uploads/2010/01/Roundtable.jpg" alt="#DBW Roundtable" width="250" height="84"/&gt;The Roundtable&lt;/a&gt; is a live, interactive webcast gathering some of the most outspoken industry professionals to debate the hottest publishing issues of the week, as being discussed in…&lt;/p&gt;</description><link>http://publishingoptimism.tumblr.com/post/1318411305</link><guid>http://publishingoptimism.tumblr.com/post/1318411305</guid><pubDate>Fri, 15 Oct 2010 01:28:30 -0400</pubDate></item></channel></rss>
